Topsy Turvy

A Beach Getaway

2009-07-03T06:00:00.029-04:00

Sister-in-law Laurie has rented a beachfront condo for the week, and invited Tim and I to join her for a few days. We'll be staying on a little island off the coast of Florida near Englewood, about halfway between Sarasota and Ft. Myers. This will really be getting away from it all, since you have to take a ferry over from the mainland. There is no shopping on the island, and just one restaurant. Wonder if we'll have wi-fi?

Click on any image for a larger view.

I don't think we'll be quite this secluded, but one can dream.
I'm taking along books, magazines, and plenty of mojito mixings.

My idea of a beach getaway ... is looking out the bedroom french doors, thrown wide-open to a view like this!

Sheer white curtains billowing in the ocean breeze, and mosquito netting draped over a bed ... this scene appeals to the romantic in me.

I spy a perfect spot for napping on a hot, lazy afternoon. All you need to add is a ceiling fan whirring gently overhead. This room looks like it could be in a treehouse on a tropical island, à la Swiss Family Robinson (hopefully sans pirates).

Hmmm, I wonder if our condo will have a bathroom with a view?

The owners of this beach house have gotten the decor right.
White denim slipcovers are superb for a soft hand, clean beachy look and ease of care. They wear like iron, and can be thrown in the washer and dryer and come out beautifully (no need even for ironing). The fabric is inexpensive as well.

Many of us dream of an outdoor shower.
This bathroom takes the idea a step further, and is completely outdoors ...

... with a gorgeous gilded-leg clawfoot tub, a separate shower, lots of tropical foliage and nothing but the big blue sky overhead.

For an evening on the beach, I love these sand excavations with votive candles set inside – they look so pretty and somewhat mysterious.

Enjoy your 4th of July weekend, and see you in a few days ....

Top image from Nuevo Estilo. (Thanks Carolina Eclectic!)
All others: Luxury Culture.
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Yves Gastou Decorates with Red, White & Blue

2009-07-02T06:50:00.016-04:00

French antiques dealer Yves Gastou shows us all how to decorate with patriotic color. Just throw in one simple André Arbus rug, add a sprinkling of designer antiques, and voila ... instant fireworks!

The sculptural forms and soft colors of the neoclassical commode by Gio Ponti, coffee table by Jansen, and armchairs by Jean-Charles Moreux set the stage for the sophisticated heat provided by the red-white-and-blue rug, in the living room of Gastou's house in Biarritz. I love how the rug acts as a giant, abstract painting, and the large scale of the pattern pulls the room together.

Switch to his Paris apartment, and you can still find hits of blue and red/orange. It's quite ok to bring in a range of colors in your rooms, letting their dominance vary from room to room. The slender lines and glass top of the Arbus coffee table make it the perfect choice here - you really wouldn't want to hide much of that luscious rug. The rich purples in the Christian Liagre sofa are not a perfect match, but that doesn't seem to matter. I think the white pattern with dark outlines in the rug, along with the deep-blue and pale lavender accents in the room help change the way the colors are perceived.

Poolside – a little playfulness, in style and color, courtesy of a Mark Newson chair and what appears to be a pink rubber ball in a fabulous zinc urn. When your home is a charming, turreted mini-castle in Biarritz that verges on Disney-esque, I think you can get away with this approach. Perspective and a sleek landscape play into the stage-set.

Gastou's style shows that you can mix serious antiques with modern and colorful accents, and have fun with your home decor. But in order to successfully break the rules, you have to know them. And I think it takes real talent to make this work.

See more here. Photos by Ivan Terestchenko.
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Making Peace Personal

2009-06-30T07:00:00.004-04:00

Instead of a peace button, I think I'll wear one of these great bracelets.

Max&Chloe Ettica Leather Peace Wrap Bracelet. I love the wrap style, and this would go with most everything (perhaps a pair of brown leather gladiator sandals).

Also from Max&Chloe, the Ettica Leather Peace Bracelet comes in your choice of 16 colors.
I'm partial to the white.

Max&Chloe Blu Bijoux Rock N Roll Peace Cuff, $22.
If you like cuffs, this one is cute with a little bit of cool.

What a nice way to provide a subtle, constant reminder of your personal vision for the world!
It is said that visualizing can make things happen ...
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Bringing Peace Home

2009-06-29T07:00:00.003-04:00

A small, simple gesture – like incorporating peace signs in your everyday life – can have an effect on your own way of thinking, and that of those around you.

Jonathan Adler's Peace Pillow is available in magenta/brown or black/white. Or – you can choose from quite a few custom color swatches to match your decor.
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Coming Together for Peace

2009-06-28T09:00:00.001-04:00

This candle-light peace sign, in Budapest, 2006, is such a beautiful way to make a peaceful statement.

"When the power of love overcomes the love of power the world will know peace." Jimi Hendrix
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The Peace Sign

2009-06-26T09:00:00.014-04:00

Yesterday was the first in a series of posts I'll be doing about peace. I can't stop thinking about what this world would be like without war, violence, hate, intolerance and the struggle for power and control of others.

Did you know that the British were marching with peace signs, guitars and babies in 1958?

Designed in 1958 for the British nuclear disarmament movement, the peace sign was brought to the US by a member of the Student Peace Movement, in the form of peace buttons. Thousands of those buttons were sold on college campuses, and it was soon adopted by the baby boomer anti-war protesters in the 60s.

Millions of people around the world, regardless of race or religious beliefs, have looked to the peace sign to unite them. It has become an enduring cultural icon ... It is probably the most commonly used non-religious symbol of hope in the world, instantly recognized anywhere as the universal sign for peace ... Although the world is currently filled with wars, the peace symbol is a reminder of how much people long for peace.*

*More information and photos here.
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Think Peace

2009-06-24T20:41:00.004-04:00

The Imagine mosaic at Strawberry Fields, in Central Park, NYC.
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Image from Istockphoto.
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A Final Word on New York

2009-06-12T11:00:00.004-04:00

Who could resist this beautiful storefront? We certainly could not, and took a hasty detour across the street to investigate! Stepping inside, we entered Michele Varian's charming shop, filled to the brim with her flat-out-gorgeous silk and velvet pillow collection, plus an intriguing selection of hand-crafted jewelry, home accessories, curiosities and found objects.

Inside, looking out onto Crosby Street.

Michele's solid velvet collection.

Her pillows are hand-made, with wonderful details and fabrics.

I am helping Michelle (my friend), decorate a guest room in her bungalow, and we decided to design the room around this pillow. The printed silk is accented with a solid purple velvet back, with purple side-tie detail. It is really beautiful to see. The salesperson was so nice and helpful, and had the pillow shipped to Michelle's house so we didn't have to carry it on the plane.

I lingered over this sea urchin box – it has great tactile appeal.

The nature-inspired Silver Jasmine Blossoms Ring is so delicate.

Finally, I just had to find out about the wallpaper on the outside of the building! Michele kindly offered that, "It has been up for a couple of years. Before hanging it, I sealed the gaps in the overhang above the doorway so that the paper only gets wet when the rain is slanted in that direction. So far it has held up very well. Mostly it gets dusty from all of the traffic."

The pattern Michele used is Neisha Crosland's Cactus Paisley. Here is a detail, in a different colorway.

More about Soho/Nolita:

Some pretty awnings and vivid orange doors at Tory Burch, with a little graffiti for accent.

The pale color scheme on this townhouse is perfection: soft blue-gray painted brick wall with cream shutters and trim, and little black & white striped awnings. The door is painted a slightly brighter blue-green than the wall. I can only imagine that the interiors of this home are as great as the exterior!

The door sports the shiniest hardware I've ever seen, and the centered European-style doorknob is quite over-sized, as is the door knocker.

The house numbers (on the metal plaque) are the same silver as the hardware. I love the architectural details around the doorway and the graceful black iron lantern.

Paula Rubenstein (exterior shown above) has a wonderful assortment of quirky and fabulous finds.
Another favorite: Hayden-Harnett. The leather cuffs, handbags and totes are made with outstanding materials and attention to detail. After having seen them up close in the Elizabeth Street shop, I snagged one last week on sale at ideeli! (Thanks, Annechovie!)
Sample sales, wherever you find them!
And another community garden ...

This garden is divided into plots, tended by several different people.

Roses, and more roses!

The huge red flowers towards the rear of this plot are peonies! I had no idea there were varieties like this!

Michelle has a knack for finding doggies everywhere! How adorable is that puppy?

When I'm traveling, I like to catch a movie, if there is an opportunity. I just love movies to begin with, and seeing a good one in a different city seems to make the experience more memorable. One afternoon we walked down to the IFC Center to take in the new French film with Juliette Binoche. The story slowly unfolds, and doesn't end with a conventional "happy ending," but is exceptionally well done – and I'm still thinking about it today. (One thing to look for: the behind-the-scenes quick peek at the Musée d'Orsay art storage and restoration rooms.) I loved this movie, just as much as I loved New York!

SUMMER HOURS: Movie Trailer

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Michele Varian photos by Michele Varian. All others by Topsy Turvy, from the iPhone.
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New York Part II

2009-06-06T17:00:00.011-04:00

Once we checked in at The Bowery Hotel, we made a beeline for John Derian's shops. Yep, they are right around the corner from the hotel!

Sadly, John Derian wasn't en residence, but that didn't dampen our enthusiasm. The store shown above carries all the decoupage, some Hugo Guinness prints, assorted notebooks and cards, Moroccan poufs, etc. My favorites: Astier de Villate ceramics and notebooks, which I have had an obsession with since my first encounter. (Yes, I did indulge!)

Stalking John Derian.

The second location, John Derian Dry Goods, is two doors down, and carries furniture and wonderful textiles. My choices: the Hugo Guinness botanicals (his most recent and most expensive work), hand blocked print pillow covers, hemp bedcovers, and African floor mats. This store is not open as often as the main shop – the first time I looked for it, I walked right past because a gate covers the entrance when it is closed. If you go and can't find it, ask the cute guy in the main shop. He may open it for you or can at least tell you when to return. (When I went back to take a photo, it was closed again.)

On the same block, Albert's Garden was a happy find.

This massive bird painted on the side of a building provides a thrilling accent for a charming, leafy, shade garden in the heart of the city.

After doing some research, I learned that there are over 40 of these community gardens scattered throughout the Lower East Side, and many more throughout Manhattan. For more information and locations, go to Earth Celebrations. Also, you might want to check out Bette Midler's Restoration Project.

The perspective is lost in the photo, but this graffiti art encompasses an entire storefront.

One of my main reasons for making this trip to NY was to see the Picasso exhibit at the Gagosian Gallery. Saturday afternoon our taxi dropped us off at the end of the street, and we walked down to the gallery ... only to find it closed! 'That little voice in my head' had warned me to call ahead of time to confirm the hours, even though they were listed on the website. Lesson: Never ignore that little voice!

A little Soho traveling art.

We stepped into Eleven, a vintage clothing shop on Prince St., just for the great signage outside. Well, I have to admit, I really decided to go in because a very chic-looking woman ahead of us went in and I thought she might have some insider knowlege. I'm not really into vintage clothing, but the friendly owner told us he has an antique shop nearby that is open by appointment only. We didn't have a chance to go back, but I have a feeling it could be a treasure trove of great stuff. They also rent out the vintage and antique pieces for props.

Occupying a very large wall outside the shop, this painting was commissioned by Eleven, from artist Tim Kerr. It will be up for several months. I love the portrait – it's sketchy and gestural and evokes the sense of a real person.

More to come about NY: Another garden, a great movie and some interesting shopping finds!
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New York Part I

2009-06-03T16:00:00.011-04:00

My friend Michelle and I left our men behind, and escaped for a little R&R in NYC. We had a great time, with perfect weather. My foremost thought upon arriving ... why has it taken so long to get back here? It's such an easy non-stop and affordable flight.

My first cappucino, with a nice "big apple" welcome.

Some highlights and observations:
JetBlue - loved it! They have a brand new terminal at JFK that was a breeze to get through. The seats were really comfortable, soft leather and I recommend paying $20 extra for a seat in the first 5 rows: there is extra leg room and you are up front, so first off. There is no charge for your first checked bag.

We stayed at The Bowery Hotel, and the decor was gorgeous throughout, down to the last detail. I think the bed was the most comfortable I've ever slept in. Or maybe it was the wonderful sheets. Or maybe the extra-chilly a/c. We requested a corner room with a view, and got it ... a corner room on the 10th floor with floor-to-ceiling "factory" windows on 2 sides. The luxury bathroom featured subway tiles and Porthault towels. And every evening, housekeeping stopped by with slippers and cookies. The rooms aren't inexpensive, but I thought the rates were reasonable for NY and for the quality and decor. Surprisingly, there was little traffic noise in our room, even though we faced the street. And we were walking distance to many great shops and restaurants in Soho and the Village. Exactly where is The Bowery Hotel? I've seen the area referred to, variously, as NoHo, the East Village, NoLita ... it's tricky trying to figure out where one neighborhood ends and another begins!

The front-window view from our room, looking towards Greenwich Village.

This view is from the other window in our room, and faces the financial district and Ground Zero. I would really like to visit that area ... maybe next time.

In our bathroom - a Villeroy & Boch sink in a marble-topped vanity with Waterworks faucet.

Detail photo in the lobby area of the hotel - a leather covered screen with nailhead trim next to a velvet drapery panel.

The lovely back patio is open to a little green oasis - said to have been a cemetary at one time. I love the striped awning, which is retractable in nice weather.

Every morning we enjoyed tea and breakfast here. We had the place to ourselves, since it seems that NY sleeps in! Shops don't open until 12, and most close around 7.

A wisteria climbs the iron gate, in the morning sun.

A closeup of that wonderful cement-tile floor.

We did experience a few "star" sightings during our stay. First, was the world-famous illustrator and blogger extraordinaire ...

... Patricia Van Essche, also known as PVE, who cheerfully posed for the Topsy Turvy paparazzi while dining at Gemma's, the hotel restaurant. Here she is - looking quite stylish.

Truth be told, Patricia and I had made plans to meet for dinner, and we had a lovely evening chatting about blogging and other weighty world issues. She is just as gracious in person, as she is in her blog.

Me, my friend Michelle and Patricia.

I think we made the paparazzo who snapped this photo (actually, our very sweet waiter) a little nervous, which might account for the blurriness!

I'm crazy about the light fixtures over the bar. They look like rusted metal garden ornaments, similar to armillaries.

Michelle later spotted Eve, in a back corner booth, although she did have to explain to me who Eve is – a rapper apparently just as well known for the animal print tattoos on her chest. The tattoos were nowhere in evidence that night, and Eve managed to avoid our cameras.

Other excitement: Tom Arnold overheard loudly entertaining the "street crew" that most always could be found out on the sidewalk next to the hotel; and the mysterious tour bus idling on the curb, from which a young, thin girl with very dark hair emerged, hiding inside her hoodie.

Up next, I'll have more about my favorite discoveries in NYC: shops, restaurants, art, graffiti and community gardens.
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Photos by Topsy Turvy (mostly) from my iPhone.
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Sarasota to Tampa in 15 Minutes

2009-05-20T02:00:00.009-04:00

Recently my friend Margie arrived from Sarasota for a visit. That Margie really knows how to make an entrance!

She made the trip in 15 minutes, without speeding. (Hmmm, not sure what the speed limit is in the air.) By car, the trip would take over an hour.

Margie is another multi-talented woman. Once a corporate and commercial pilot, she now flies her own plane; creates beautiful hand painted decorative tiles; and is writing a novel about old Florida, intrigue, and a family mystery. (I see a movie and screenplay in her future.)

We jumped into the car, and headed straight for Anthropologie! She had never been in one of the stores – only having shopped online – and I think she was amazed at the variety and amount of merchandise.

I love those massive wooden doors with giant twig doorknobs.

Margie thought this lampshade might work for a living room lamp.

I was intrigued by this book ...

... and especially this feature of a bedroom with a wonderful hand painted wall.

I noticed that the Hyde Park store has a room vignette with a wall done in a similar fashion. I would love to do something like this in my house.

We left without the book or the lampshade, but had a nice lunch at Mise En Place. We then stopped in at Magnolia for a quick look, and Jeff gave me lots of recommendations for my upcoming trip to NYC. Then it was back to the Davis Islands Airport for Margie's trip home.

One last wave.

And off she goes!

Photos by Topsy Turvy, from the iPhone.

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Zzzzzzz ... zzz ... zzz

2009-05-19T12:02:00.015-04:00

Mitz loves to snooze next to the computer when I'm working, late at night or early in the morning.

It's usually dark in the room, with the only light coming from the monitor. The only sound is the clicking of the keyboard.

Of course, he loves lying on the stacks of magazines, notebooks, etc. on the desk.

I think his very favorite spot is on top of the monitor. It's an older model, not a flat screen, so there's just enough room for him to perch, and its always nice and warm. Unfortunately, he sometimes falls asleep up there, and slides off. He's a very sound sleeper and doesn't always wake up until he hits the desk. Ouch! I'm really afraid he's going to hurt himself, so I try to keep him out when I'm not in the room.

I only wish I could sleep as soundly, but I guess that's why I'm up late at night, working on the computer.
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Photos by Topsy Turvy, from the iPhone.

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Faded Photos and Memories

2009-05-10T08:00:00.007-04:00

Going through my mother's things after she died was so difficult ... maybe that's why the photos in this photostrip are extra special to me. I had never seen them before, and she looked so cute, so young and vulnerable – and had no idea at the time what direction her life would take her. These must be from around 1938 ... did they really have photo booths then? I just love her hat, and am jealous because I've never been able to pull off wearing hats.

Looking so stylish, here with her mother. She always had a big, beautiful smile and infectious laugh. And those great clothes in the 40s.

She left Columbus, Georgia, right after high school, for NYC. She looks so glamorous in her model agency shot from that time. Multi-talented, she could sing, play piano by ear, draw, paint, and design and sew clothes.
Oh, and she baked a mean southern Lane Cake – no small feat!

Every Mothers Day, I think about our yearly champagne brunches. The two of us would go through a bottle of champagne, and spend hours eating and laughing.
After many years, the memories are fading just like the photos, but can still be too painful for words.

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Home Tour: A Little French Style in Old Hyde Park

2009-05-08T10:00:00.005-04:00

Not long ago I posted a "shop tour" of one of my favorites in Tampa, Chez Orleans. What makes this store such a gem, besides the great selection of antiques, (I can never visit without seriously coveting an item or two) is the owner Carol Timberlake. Charming and gracious, Carol makes everyone who enters feel welcome and special. And the lady can tell a story – especially when it comes to her shopping adventures!

Click on any image for a larger view.

Carol, at home, always so chic!

Home, for Carol, is a wonderful Craftsman bungalow on a beautiful shady street in Tampa's Hyde Park. I'll let her do most of the talking, from here on. As you read, just add a slight Southern lilt to her words, to get the full effect ...

CT: "The house has been 'bastardized' over the years ... primarily by the addition of the storm shutters. I had originally planned to remove them, but have grown to love them. We actually use them during hurricane season. I would like to add more, but the Architectural Review Commission would never allow it now. I would like to restore the large front stoop/porch and repaint with a totally different color scheme."

About the living room: "The sofa is a 19th c French daybed that I saw in the warehouse of a local importer almost 10 years ago. It was already sold and I begged her to find me another one, but she never could. Years later, I went on a house call and there was the daybed. Could not buy it fast enough. I had it recovered in vintage ticking. The two large pillows in the corners are antique French toile, the rest are a mixture of old and new. The needlepoint chair (to the left of the sofa) was bought to sell in the store, but I set it down in the living room and liked how it tied everything together ... end of story there. The other chair is a reproduction, but I loved the detail of the chair itself and the fabric. It looks great in every room of my house, and is a good example of how you can mix old and new. The cocktail table is Italian with an inlaid bird design on the top and red suede legs with nailheads, probably mid century. The stool is empire with a needlepoint top."

"The papier maché collection is French and most of it, I bought in Paris. In all, I probably have over 100 pieces. I started buying it for one of my customers, and got hooked myself. Most of mine is black, but I also have a few exceptional pieces of red, which is harder to find. I am always looking to upgrade or add to the collection."

"I bought a pair of these early Chinoiserie armchairs from a dealer in Atlanta. Kevin (a former partner) and I both wanted them, so we each took one ... so stupid to break up a pair. The chest is 19th century English. I loved the green inlaid shell design."
"The mirror is Italian, the black vase is one of a pair of Italian carved wooden alter vases, the lamp is new with a handmade shade ... love the chocolate brown color! And a few more pieces of papier maché."

"This French soldier is one of a collection by Capodimonte ... Napoleon and his generals. A few years ago I tried to buy them all at an auction and was outbid. So, I have been slowly buying them one by one ever since. I have 4 of the 12 ... do you see a pattern here? I obviously love the hunt."

The 6'-wide center hall runs front to back, over 30' long. "This is my favorite part of the house because it seems so extravagant. The same floor plan without the wide hallway was built several times in Hyde Park, but those houses have a TOTALLY different feel to them."

A front sitting room is light filled and furnished in pale tones: "The mirror is 19th c Venetian and was embellished with shells to cover the missing pieces. I bought it long before shells became all the rage. The sconces are 19th c French. I particularly like the silver leaf drops instead of prisms. I bought the rattan stool at a yard sale – the older it gets, the better I like it. The zebra rug, I bought in Denver 15 years ago ... it looks great everywhere."

In the dining room: "One of my friends who went to Paris with us calls the hole in the living room ceiling "my Paris apartment look." Since it looks like we will be replacing our entire a/c system (and not redoing the front of the house as planned) I have come to terms with it not being patched for a while, and now don't really notice it."

"The dining room chandelier was bought on my first trip to Paris. It hung in the store for a while, but needed a good deal of work, so I had it restored. It holds a lot of good memories for me of my first trip to Paris."

When the kitchen was scheduled to be remodeled, Carol pulled down the old wallpaper, had a party, and everyone signed, wrote and drew on the walls. The remodel was postponed, and the new "wallpaper" – which is frequently added to – is now quite a topic of conversation.

A guest room features, "a 19th c child's daybed that was in pieces when I bought it from a dealer in Tampa ... hundreds of dollars later, it is still one of my favorites. I have never seen another one that size, and many children have slept on it."

One of a pair of 19th c tole beds which were bought in Atlanta.

Another view of the center hall, looking toward the back of the house, and the master bedroom.

Carol's husband's office and library is more masculine than much of the house, and looks comfortable and well-used.

"The Empire secretary is the first major piece I ever bought. I had just graduated from college and was living in Memphis, Tennessee. My mother and I went to the Flea Market every month to look for things for my apartment. I fell in love with the grain of the wood and the way all of the cubby holes are shaped like tiny cathedral windows. She lent me the $300 to buy it saying "You're never sorry if you buy what you love. It's when you compromise that you regret it." Very wise woman and that is my motto to this day – buy what you love. I can still tell you everything I didn't buy and should have, and what I didn't pay for it. That secretary is the one item that has been in every place I have ever lived ... still love it."

Bookcases line an entire wall. "The library steps are vintage. I bought them in Atlanta to really use because we've always had a library with bookshelves to the ceiling."

The main bath features one of the clawfoot tubs that are original to the house. "They are cast iron and hold the heat like nobody's business ... and they are 6 feet long so you can really stretch out."

The red hall chair is reproduction Chinoiserie.

The master bedroom has a lovely view onto the back yard and pool area.
The bed is a reproduction, made from old wood, then handpainted. "I had originally bought a custom-made French king size bed from the 20's. The headboard was profusely carved with flowers and garlands. It was beautiful, but the carving was so deep that it hurt your head to lean against it. My husband HATED that bed and told me I could buy any bed I wanted if I got rid of it. Who could refuse that deal? So, I sold the French bed in the store and we picked out this one together. I never told him how much it cost ... he might have died. The matlasse coverlet is new, but is the same French blue as the transferware and toile in the room.

"The back hall had indoor/outdoor carpet when we bought the house and I wanted to add some pizazz to the space. It took me forever to find the tile and someone to lay it. This little old man came to do the job and almost left when I said I wanted it laid on the diagonal. After I had paid him, I realized that the pattern was not exactly straight. I didn't have the heart to call him back, and I doubt he would have shown up. So, I just put a rug down and pretended like it was fine."

The French look extends to the back patio area by the pool. "The pavers were one of the big selling points for us. That wicker chaise is THE most comfortable piece of furniture in the house. Again, I didn't pay much for it, but spent a small fortune getting it into usable shape. Joe and I both can lie on it at the same time and read. The iron console is an old French balcony with a top added. I used the arched shutters (bought at a junk shop) to break up that long wall."

A tall glass of iced tea, and a good book ... I think that chaise is calling.

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Take a look over at Chez Orleans, and enjoy listening to a song by France's first lady, Carla Bruni-Sarkozy.

All photos by Topsy Turvy.

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Find of the Week

2009-05-03T08:00:00.000-04:00

Invoke the power of the pyramid! A few of these portable outdoor lamps would be great for an evening wedding on the beach, or an elegant clambake. Let your imagination run wild. Lampara Piramide, 12"sq x 72"h
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A Toast to Cuban Architecture

2009-05-01T14:00:00.005-04:00

President Obama's recently loosened sanctions with Florida's island neighbor to the south has gotten Tampa buzzing with talk about cruises and direct flights to Cuba.

Which got me thinking about many images of Cuba that I've seen – showing gorgeous old buildings in varying states of decay (along with old – mostly American – cars). It's sad to see what has happened to many of the beautiful neoclassical and colonial architectural gems. Perhaps new infusions of tourist money will help spur restoration.

The cathedral in Havana.

An elaborate series of arched porticos provide cover for these sidewalks, with each building having different ornamentation. Almost as interesting, the many types of offbeat vehicles on the street, including a horse-drawn cart in the distance.

Tampa has its share of Cuban influence and restaurants, since Ybor City was populated early on with immigrants who came to work in the cigar factories. I recently came across recipes for a couple of Cuban basics – Café Cubano and Mojitos – and thought I would share. Cuban coffee is a staple in this area, but I've never seen a recipe for it.

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Café Cubano
Ground espresso
1/4 cup sugar
Prepare a 6-serving stove-top espresso maker according to manufacturer's directions and brew a pot of espresso. Put the sugar in a large glass measuring cup and add 1 tablespoon of the hot espresso. Using a small whisk, beat the sugar with the espresso until pale and thick and nearly dissolved, about 1 minute. Stir in the remaining hot espresso. Let the foam rise to the top, then pour into espresso cups and serve immediately.
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I had no idea that the foam was created simply by whisking together coffee and sugar!
If you prefer your Café Cubano prepared, "half and half," like I do, I think you would just fill your mug halfway with the coffee, and then top it off with Half and Half. Cafe au Lait, prepared as the French do, is actually my favorite way to drink coffee, but Café Cubano is a nice alternative.
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Sparkling Mojito
1/2 lime, cut into 4 pieces
1/4 cup fresh mint leaves, torn, plus 1 mint sprig for garnish
1 tablespoon plus 1 teaspoon granulated sugar (I added an extra teaspoon or so, to taste)
Ice cubes
1/4 cup white rum
1/2 cup club soda, chilled

In a tall glass, muddle the pieces of lime with the mint leaves and sugar until the sugar is dissolved. Fill the glass with ice and stir in the rum and club soda. Garnish with mint sprig and serve right away.
Lourdes Castro, the chef, says the recipe doesn't work well made as a pitcher. Instead, muddle a large batch of mint, lime and sugar, then pour the mixture into glasses and top with ice, rum and club soda.

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This mojito is light, refreshing, and just perfect for hot summer nights. I've been looking for an alternative to wine, which is what I almost exclusively drink, and I think this is it – I tried this recipe last Friday and loved it! I will definitely be keeping a stock of fresh mint and limes.

Care to join me for Mojito Friday, tonight?

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Top three photos from guije.com
Next five photos by Ellen Mack
Recipes by Lourdes Castro and photos via Food & Wine Magazine

The Magic of Madeleine Castaing

2009-04-30T08:02:00.005-04:00

A young and stylish Madeleine Castaing. Her nickname in France was "The Magician."
Photo: © Christina Vervitsioti-Missoffe *

An email surprise recently landed in the Topsy Turvy inbox with a resounding, "ding!" I do forget to turn the Mac's volume down sometimes, and when I hear it alerting me to an incoming email after I'm in bed at night, well, sometimes it's a little tempting to get up and take a look.

You may recall that photographer/cinematographer, Christopher Flach, completed a documentary over a year ago about the legendary French decorator and antique shop owner, Madeleine Castaing. He dropped us a note to let us know that the film is available through his website, so we talked a bit about how the project came to be:

Christopher Flach

CF: "I traveled to Paris frequently and often times would walk past her shop on à l'angle des rues Bonaparte et Jacob. Then one day I went into the shop and it was like walking into what one reads about in the newspapers or magazines ... it was the magic of Madeleine Castaing. I knew that I had to document this world. For me she was like Coco Chanel, simply timeless. Madeleine truly was an artist."

Antique shop of Madeleine Castaing in Paris (7th arr.) at the corner of rue Bonaparte et Jacob. Juin 1960. © Roger-Viollet. Photo by Francis Hammond for The New York Times.

"I directed and produced the film, and it stars Castaing at her best, thanks to vintage 16 mm footage kindly provided by Lord Cholmondeley of Houghton Hall, near Norfolk."

Houghton Hall

The film weaves the vintage footage with contemporary interviews of those who knew her, including ... French interior designer Jacques Grange ...

French writer, photographer and painter, Francois-Marie Banier ...

and Barbara and René Stoeltie, who have collaborated on numerous interior design books and articles, with Barbara as writer and René as photographer ...

Barbara Stoeltie, who, in the film, reportedly shares extensive recollections about Castaing.

René Stoeltie

... along with Stephen Sills, of Stephen Sills Associates (in my mind, a genius, who would be on my top 10 designer list – if I had one) ...

At only 34 mins. long, the film is described as being more about mood and atmosphere, inspired by Madeleine Castaing's love of Honoré de Balzac. The film portrays her Paris shop and her magnificent directoire manor house in Lèves, just outside Chartres.

By happy chance, a new book is just out, featuring Castaing's beloved Maison de Lèves, as well as two residences of Yves Saint Laurent, the renaissance chateau of Hubert de Givenchy, and much more. French Interiors: The Art of Elegance, by Christiane de Nicolay-Mazery, from Flammarion, is getting rave reviews, and, judging by these photos via the telegraph, looks like a must-have!

Lèves, with shutters in Castaing's favourite blue. Photo: © Christina Vervitsioti-Missoffe*

The writer Maurice Sachs described a visit to Maison de Lèves in the 1920's as "a dwelling full of whimsicality, invention, and audacity."**

French doors in the dining-room open onto luxuriously landscaped gardens. The carpet of leaves and berries was designed by Castaing. Photo © Christina Vervitsioti-Missoffe*

After looking at these photos, Castaing's love of nature becomes obvious.

In a bedroom, a swan-necked iron bed is hung with muslin. The walls are covered with Rayure Fleurie, one of several Castaing designs for fabric and carpets that are still available.
These rooms, ingeniously, have a wide-open feel – like you are outside in the garden – yet at the same time, they impart a sense of being cocooned in luxury. Photo © Christina Vervitsioti-Missoffe.*

A blue-silk 'indiscret' (circular sofa) from the Napolean III era and miles of leopard carpet in the circular salon. Photo © Christina Vervitsioti-Missoffe.*

The vestibule with muslin curtains tied high in the directoire style.
Photo © Christina Vervitsioti-Missoffe.*

A long view of the salon. Photo by Rene Stoeltie, via An Aesthete's Lament.

Another view of the salon, by Rene Stoeltie, via An Aesthete's Lament.

Castaing has become a cult figure, in spite of, or because she created "rave-review rooms with undistinguished objects, often of dodgy condition," and for "creating rooms that her followers describe as closer to art than decoration." **

"She used colors and patterns that make you wince when you hear them in the same sentence" ... "But when you see this house in person, you realize how perfect her taste was." Esther Brodsky, a client from NY. **

In a Topsy Turvy interview with French designer Bruno de Caumont last year, he talked about a similar fascination with the designs of Madeleine Castaing, and how his own work has been affected.

For those fluent in French and/or up for a challenge, Jean-Noël Liaut wrote a biography last year called, Madeleine Castaing: From Montparnasse to Saint-Germain-des-Prés (published by Payot). It is described as lavishly illustrated, if that is any incentive.

Portrait of Madeleine Castaing by Chaim Soutine, who was a close friend.
The painting is now in the Metropolitan Museum of Art.

For a double-dose of artistic inspiration, I'd like to watch Chris Flach's film and then open up Christiane de Nicolay-Mazery's book.* Then ... just maybe ... I'll venture into the realm of Honoré de Balzac. I found some of his stories online translated into English and after reading a few paragraphs it became obvious to me that it is going to require some serious concentration just to keep up with the train of thought through those long meandering run-on sentences from which I can see right away Balzac's influence on the writing style of the great Jack Kerouac who sometimes wrote sentences that filled a whole page ...
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*From French Interiors: The Art of Elegance by Christiane de Nicolay-Mazery (Paris: Flammarion, 2009)
**nytimes
Photos not credited provided by Chris Flach
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James Rosenquist ... Starting Over

2009-04-28T15:00:00.023-04:00

James Rosenquist in his Aripeka studio, 2007. Photo from ARTINFO.

"Everything's gone," world-renowned artist James Rosenquist said Saturday night. "Totally wiped out."*

This, after an 80-acre brush fire destroyed his home and studios in Aripeka, Florida over the weekend. The origin of the fire is under investigation and has been called suspicious.

Rosenquist is considered a leading figure of the pop-art movement. His work has been shown at the Smithsonian, the National Gallery and the Whitney Museum of American Art. The Guggenheim organized a retrospective of his work in 2003 that traveled internationally. A couple of days ago he was preparing for a fall show in NYC; today, all of that new work is gone, virtually up in smoke, and none of it insured.

This view shows only a small part of the studio building. Photo from ARTINFO, 2007.

After being evacuated, JR could only watch the blaze from afar, from a friend's fishing boat out in the Gulf of Mexico. Fortunately, no one was injured, but it's hard to imagine the devastation of losing part of a life's work and personal belongings, all at once. JR moved to this little patch of old Florida about 30 years ago, and built his residence and two airplane-hanger size studios.

Some years ago, I had the good fortune to visit the compound in the sleepy north-central coastal town. There are no pretty sandy beaches there, just acres of grass leading off the landmass into the water, with occasional paths for boats to access the occasional docks. JR had graciously agreed to an interview and photoshoot for Flair Magazine.

On the day of our meeting, he posed good-naturedly for lots of photos – most inside the massive, un-air-conditioned building where his largest paintings were located. He was kind and interesting ... all at once, a commanding presence and possibly a little shy ... musing about his life in NYC and parties with famous people. He seemed just a bit like a befuddled professor who didn't feel that he truly belonged in such heady company as, say, Marilyn Monroe. Perhaps that's why he has chosen to live and work in such a secluded area, surrounded by mostly "normal" folks. Of course, in his younger days, he lived and worked in NYC, with and amongst a group of revolutionary artists, such as Jasper Johns, Robert Rauschenberg, Andy Warhol, Robert Indiana, Ellsworth Kelly and Jack Youngerman.

Mary Mulhern, JR and I, sweltering in the airplane-hanger-size studio in front of the still-in-progress, "Joystick." Photo by Will Staples. Mary was a free-lance writer at the time, but has since been elected to the Tampa City Council (in 2007), and is a great advocate for the arts in our community.

Unless "Joystick" had been moved, which I doubt given its size, it was destroyed in the fire, along with many other paintings and JR's prized Ferrari (usually parked inside the studio building, along with an old Mercedes or two). The only losses mentioned in news articles were a 133' x 24' mural commissioned by the government of France, and 15 new pieces for his upcoming show.

The entire painting: Joystick, 17' x 46', 2003, painted at Aripeka.

JR has several assistants who had their own studio spaces within the building, and I'm sure their work, paints and supplies were lost too.

From an ARTINFO interview in 2007: “I’ve had a lot of ups and downs,” (Rosenquist says as he considers the somewhat improbable trajectory of his life.) “I just feel lucky that I’ve been able to make a living by doing any damn thing I feel like.”**

"As a person gets older," ... "time gets more interesting. As a kid you waste so much of it."***

At 75, it must be a little overwhelming to have to start all over again. JR has talked about rebuilding, and says he will stay in Aripeka. Right now, I believe he is probably chatting with his friends at the local general store, sipping on a beer, and trying to muster the energy to get back to work.

I don't doubt he will, since, like most artists ... his work is his life, and his life is his work.

The catalog from his 2003 restrospective show in Moscow.

Rosenquist worked as a billboard painter, before he was able to support himself with his art. This experience was great training for the huge paintings he has become famous for.
This photo is from 1958, 47th St. and Broadway, NYC. Image from Rosenquist: Moscow.

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•tampabay.com
••ARTINFO
***tampabay.com
CBS news
MyArtSpace
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Avenging Picasso

2009-04-24T23:59:00.005-04:00

In the 70s, art critics abhored the later-in-life works by Picasso ... he was widely considered crazy. But in today's art world, these rarely-seen paintings are being re-evaluated, and gaining new respect – largely because of an exhibition now showing at the Gagosian Gallery, in NY – Pablo Picasso: Mosqueteros.

You'll want to take a minute to watch this fascinating video. The show curator, John Richardson, talks about his motivation for bringing the show to NY, his connection to Picasso, and the artist's last years.

Picasso's work has always appealed to me – I love the strength of line and brushstroke, the bold color, and his unique point of view. I am plotting, right now, a way to get to New York before June 5.
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Meet The Designer: Elizabeth Martin

2009-04-22T21:47:00.009-04:00

Image from Elizabeth Martin Design

I was recently introduced via email to the new Elle Décor "cover girl" – Elizabeth Martin. The work of the San Francisco-based designer is featured in Elle Décor's May cover story. The project: a 1907 Georgian Revival that Beth decorated for her friend, Ali Wentworth and her husband, George Stephanopoulos, in Washington DC.

Beth turns out to be bright, thoughtful, and talented – just the kind of woman you'd want to have for a best friend – or perhaps an interior designer. I was impressed, and thought you might like to meet her too.

Beth was gracious enough to chat with us about the project – and about design in general:

TT: Tell me about that hand-painted rug in the living room.
BETH: Originally when I conceived the design for the living room, I spec-ed a Zoë Luyendijk rug for the space. However, as we got into the project, we made the decision that we would forgo an expensive rug based on kids and dogs, and go with a simple bound-wool rug. As life happens – let's just say there were some accidents on the rug. After a proper cleaning, the stains in the rug were still visible. True to Ali, she does not throw out anything and she takes chances in experimenting (one of the many things I love about her.) She decided that she would create a pattern on the rug to disguise the stains … and this is where we arrived. (Pretty great.)

TT: This home is decorated in a style that I would call casual elegance. Is it family-friendly throughout?
BETH: Ali is one of the most unfussy people I know, as is George. Ali loves beautiful and interesting things, but she is not one for an overly designed home – that simply is not her. When I try to make something too specific within her homes, chances are she wants to deconstruct it. As example of this point, the shell book shelves seen in the living room: Originally I wanted to find a case to contain all her shells, only we could not find the right piece. She wanted to get her shells displayed immediately so I recommended what materials to use, how to put up shelves etc. Ultimately, when I saw the shelves, they were not entirely as I had specified. But the beauty is that they are perfect as they are – and are totally her and add to the “casual elegance” of the home.

The family-friendly part comes into play in that kids and dogs are allowed into every room in the house.

Save the living room rug, most of the carpets in the home are either textured or darker in color to hide dirt and stains. All the furniture is comfortable and livable for everyone as are the fabrics. You are not going to find a chair, say, that is so delicate or rare that if someone jumped on it, the concern would be damage.

The family room.

TT: Is this style similar to your own personal style?
BETH: Yes and no. There is not a job that I do that I don’t impart an aspect of my personal style or myself into the work.

Where my style and this design merge is in the refinement of some details, the funkier pieces, bold accents and use of color and pattern.

Personally, I am probably a bit more spare in the placement of objects, a bit more whimsical, and on the whole, this home is more traditional than my own style.

The master bedroom.

TT: The owner, Ali, is a friend of yours. How did that affect the design process?
BETH: Ali is a friend, and in the case of working with she and George, the process was/is easy. Understanding one's clients is probably the single most important aspect of any design job. I say this often: designing homes for people is about being in a relationship with them ... it is about knowing that you have listened to their wants and needs and in the end created a home that is inspired and that they hopefully love.

Once you understand your clients and how they move through life, the rest becomes easy and fun. Knowing someone well before working with them gives the entire process a jump-start.

Foyer, with table from Gregorius Pineo. Image from Elizabeth Martin Design

TT: Ali, said that the color scheme was chosen based upon the favorite color (fuchsia) of her two daughters. Is this a first, in your experience - using a child's color choice as the basis for the decoration of a home?
BETH: I suppose so. Sure … but why not? I love it. Again this comes back to knowing your clients. Ali and George let their girls have a voice within their home, however young. Incorporating the wishes of the girls makes for an integrated happy place for everyone to live. The house has a balanced feeling throughout. There is not that delineation that happens sometimes in homes with young children ... of adult rooms vs. young persons' rooms. The pink – and color in general – is the thread that pulls one through the entire house.

I love when inspiration happens from the most unlikely of places … why not from a child? Pink is a beautiful color – and to make it work in a home where adults interact with children was great fun.

To be fair though, these photos do not show the whole color story throughout this house, in part because of the limited natural light at the time of shooting (one of the two days was particularly rainy and grey outside) and in part, the vignettes don’t show all the color in the rooms.) (Though I do love the photos.)

The office.

TT: Was it difficult to shift from CA-style to DC-style?
BETH: Not at all. Ali and George are young and fun and have two creative, energetic girls. They wanted that vibe reflected in their home in DC. The last thing they envisioned was the “typical, Washington DC- style” home.

TT: I'm reminded that the Obamas' choice for White House designer, Michael S. Smith, is also Calif.-based. Perhaps west-coast design is a new trend in DC. Do you think you'll take on more work there?
BETH: I hope so. I love DC and the surrounding areas. I love working outside of California, as much as being here in California – it's always about the challenge and the difference. Other than Ali and George, I have two other clients in DC.

The dining room.

TT: Tell me a little about a few of my favorite pieces in the house, such as ...

That table in the foyer:
BETH: I wanted a table that could withstand the wear and tear of backpacks, keys, mail, leashes, etc. I like the wrought iron base with the warmth of the walnut hand planking. It has a beautiful simplicity while being durable and has the high-style factor that Ali and I love. I wanted a round for traffic flow in that this is the heart of the home.

The vintage army cot topped with glass to make a table:
BETH: Ali and I share a passion for flea markets and antiques. When we decorate her homes together, we are forever on the prowl for interesting furniture and objects. This cot was found at a local antique store in Washington. I was looking for a long silhouette for the living room coffee table and saw this great piece. The cot fit the requirements and it had so much character and interest. I had glass cut to fit – and presto – coffee table.

The charming chandelier in the master bedroom:
BETH: That is a chandelier that Ali found herself and brought from LA.

The family room.

TT: I’m always interested in art, and how the right pieces can take an interior from so-so to exceptional – or the reverse. How do you choose the art for the homes you design?
BETH: It varies from project to project. In the case of Ali and George, they are avid art collectors and George has an unbelievable black and white photography collection, so working with their art was a pleasure and a definite starting point in designing each room.

However, when a client does not have great art, then I see it as my job to educate or “lift” a client’s understanding of how art can impact a space.

Specifically in choosing art for projects – I first show art that I know the client will like that is perhaps more on the “safe” side. Once I fulfill that requirement, then I show them the more interesting, daring pieces that as you say would take the room to being “exceptional.”

What is fortunate with my clients is that the art is generally bought toward the end of a project when the trust between the client and me is probably strongest. At this point my clients are much more brave, if you will, in their choices. Recently, in fact, a client said to me that a piece of art that she was originally pushing back against is now the most treasured item in the house. I love hearing this because it confirms that I am doing my job.

Image from Elizabeth Martin Design

TT: What or who has most influenced your own design aesthetic?
BETH: My mother, hands down. She is one of the most chic women I know – from her personal style, to the way she touches most anything. She has such a natural ease that I so admire in people and keep top of mind in most things I do, especially with design. When things start feeling too labored, I know I am in trouble.

She also taught me to find the beauty in everything … whether it is seemly something broken or tattered to something pristine and sparking.

TT: What designers do you most admire?
BETH: Here is a smattering: Paul Rand, Tony Duquette, Lulu de Kwiatkowski, Orlando Diaz-Azcuy, Alberta Ferretti.

Breakfast room. Image from Elizabeth Martin Design

TT: Can you tell us about your goals or any projects in the works that you are excited about?
BETH: Well I do want to grow my business so that I am able to work abroad and travel internationally. I love all the variables that come from working in a different place and I love differences of culture. Working abroad would tie both of those things together and hopefully expand my vocabulary (literally and visually.)

I would also love to get into some sort of product design (eventually) ... though it will have to be the right thing. I don’t want to create more stuff just for the sake of creating more stuff.

And finally I want to create a non-profit organization to do with interiors and our elderly … it is an idea I have been tossing around for some time.

I have an exciting project in the works right now ... lets just say that it will be something that will help people in the planning of their homes and interiors and will de-mystify how interior design is done.

TT: What would be your dream project?
BETH: Designing George Clooney’s bedroom.

Whether or not she ever gets to decorate George Clooney's bedroom, I'd say we'll be hearing a lot more from Beth in the future. I do hope George is listening, however, and gives her a call ... she promised I could be her assistant for the job!
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Unless indicated otherwise, all images by Simon Upton for Elle Décor, 05/09.
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Free Shipping On All Orders

2009-04-21T10:00:00.006-04:00

My blogging friend Wendy, has been burning the midnight oil lately, working fast and furious to get her new online shop up & running. (How many clichés can I use in one sentence, you might be asking?)

Formerly of Tonic Home, Wendy's Clayton Gray Home is a great online resource for an eclectic selection of stylish home furnishings and accessories. Click over and see what she has to offer – I think you'll find something to like.

One of my favorite items is this ikat pillow with jute fringe.

One great incentive to shop Clayton Gray Home - Wendy offers free shipping, all the time! You just can't beat that.

Oh, and until the end of month (4/30/09), enter code TOPSY10 when you place an order, and she'll take 10% off your entire purchase.

You're not there yet?

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How To Teach Your Children To Be Neat

2009-04-14T07:59:00.000-04:00

Give them these charming and clever architecture-inspired storage cabinets and closets.
Custom sizes, styles and colors available, from 415 euros.

As seen on Interior Design.
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Redecorating the White House, Obama Style

2009-04-11T05:55:00.003-04:00

Those crazy Obamas. They are re-inventing the roles of President and First Family – at a rapid clip – and we are ecstatic (along with most of the world, I think)!

The newest word on the street* is that the Obamas have decided they will not be using any public funds for the decoration of the White House residence, nor will they use any of the $100,000 allotment from the White House Historical Association. They will be funding the project entirely themselves, with the budget being kept private as well.

How refreshing!

Now it's up to Michael S. Smith to wow us with a design. (No pressure there.) Perhaps he'd share some sketches?
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*From New York magazine.

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Accessorize your home with a handbag

2009-04-10T09:00:00.004-04:00

Is it a home accessory or a handbag? I think both.
These are a few of my favorites ...

Lauren Carpetbag is made of a Clarence House cut velvet and embellished with a removable plaid silk taffeta bow pin (not shown here). $325.00.

The Sophie Carpetbag is made of a luxurious Scalamandre cut velvet gros point, and embellished with an oversized removable silk taffeta bow pin. $325.00

Ritz Petite Carpetbag is made of a Scalamandre cut velvet. It wears a removable bow pin made of silk taffeta and trimmed with vintage millinery flowers (not shown here). $305.00.

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A Historic Weekend

2009-04-03T09:00:00.011-04:00

I'm heading up to St. Augustine for a long weekend – re-connecting with an old friend from high school. It will be a historic occasion for Cathy and I (on a personal level), so what better place to meet! Cathy has always been an inspiration for me – smart and focused – and it recently occurred to me that, although we haven't spoken in about 20 years, her spirit has always been there, in my memories. That little voice in my head, constantly urging me to do better, to have the courage of my convictions, to think independently and apart from the crowd, I think has been Cathy's voice, speaking to me all along.

St. Augustine was founded forty-two years before the English colony at Jamestown, Virginia, and fifty-five years before the Pilgrims landed on Plymouth Rock in Massachusetts - making it the oldest permanent European settlement on the North American continent. I don't feel quite so old now!

I thought I'd share some photos from a previous trip, a few years ago.

A street scene in the old residential area of St. Augustine, a couple of blocks from the Matanzas River. Narrow streets are lined with houses that are mostly hidden from view behind walls and fences, much like old European villages.

Copper lanterns flank a wooden gate with a charming dolphin door knocker. The wall looks like it could be coquina rock.

The somehow mysterious, circular peephole in this gate nicely relates to the design of the ornate wooden overdoor. The colorful patina is accented by a climbing wisteria (or is that a weed?)

Pink houses with wooden shutters always stand out to me.

This house, from around 1790-1800, is one of the oldest surviving Colonial structures in St. Augustine, and is made of coquina stone. The Murat House is named after its most famous resident, Prince Achille Murat, a nephew of Napolean Bonaparte.

Tim rounds a corner near the river. Thankfully, he is very patient while I'm dawdling, taking photos and looking at architecture and gardens.

In a shaded courtyard in Old St. Augustine Village, this interesting combination of square and octagonal tiles has a center pattern of decorative cement and glazed tiles. I had thought I might try to replicate this design somehow in my own landscaping plan.

The tile pattern, up close.

Another nice courtyard design with several shades of hexagonal tiles (concrete, I think), in Old St. Augustine Village.

I love peeking into walled gardens!

Symmetry, slighty off, in Old St. Augustine Village.

A boy and dolphins cavort on a fountain inside the Fountain of Youth Park. To taste the waters that are reported to bring eternal youth, visitors enter a Spring House – built around the famous spring to protect it from the elements. I'm still waiting for the effects to kick in, five years later.

Several peacocks live on the grounds of the park.

Hopefully, I'll have more photos to show next week when I return.

Photos by Topsy Turvy.

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Enjoy your weekend, and if you missed April Food Day, it's not too late to participate!

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